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	<title>Fonda LaShay &#187; math-rock</title>
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		<title>Music Monday: Battles</title>
		<link>http://fondalashay.com/blog/music-monday-battles</link>
		<comments>http://fondalashay.com/blog/music-monday-battles#comments</comments>
		<pubDate>Mon, 08 Feb 2010 15:00:17 +0000</pubDate>
		<dc:creator>Fonda Lashay</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Music Monday]]></category>
		<category><![CDATA[math-rock]]></category>
		<category><![CDATA[new york]]></category>

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		<description><![CDATA[Battles is an American Math Rock band that formed in New York City in 2002. The group is composed of drummer John Stanier (formerly of Tomahawk and Helmet), guitarist/keyboardist Ian Williams (formerly of Don Caballero and Storm &#038; Stress), guitarist Dave Konopka (formerly of Lynx), and guitarist/keyboardist/vocalist Tyondai Braxton (son of Avantgarde Jazz musician Anthony [...]]]></description>
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Battles is an American <a href="http://en.wikipedia.org/wiki/Math_rock">Math Rock</a> band that formed in New York City in 2002. The group is composed of drummer John Stanier (formerly of Tomahawk and Helmet), guitarist/keyboardist Ian Williams (formerly of Don Caballero and Storm &#038; Stress), guitarist Dave Konopka (formerly of Lynx), and guitarist/keyboardist/vocalist Tyondai Braxton (son of Avantgarde Jazz musician Anthony Braxton). All members bring their perfected math skills of past glory to Battles. Everyone but the drummer is a multi-instrumentalist. These guys are a must listen!<br />
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<a href="http://pitchfork.com/reviews/albums/10225-mirrored/">Pitchfork</a> says: &#8221; Battles may be the first band to really play with the way that 21st century software can extend and distend the sound of a rock band in real time; Mirrored moves in ways that Battles&#8217; first two instrumental EPs&#8211;post-rock played with the locked-down seriousness of modern techno&#8211;only suggested. Early Battles shows could sound like a metal band performing Steve Reich&#8217;s Music for 18 Musicians, and Mirrored spurns solos, favoring a caffeinated maximalism where compositions are built out of 100 microscopic parts. The guitarist/keyboardists string together tracks out of riffs that crisscross with the careful preplanning of a subway system. Each instrument on opening track &#8220;Race In&#8221;&#8211; Stanier&#8217;s military-precise massed snares, the guitars tensely climbing up and down a few notes, what sound like synthetic tubular bells&#8211; is added with the deliberate patience of a Terry Riley composition. The song feels nervously repetitive, like it&#8217;s suffering from OCD. &#8230; What makes Mirrored&#8217;s merry melodies really stand out isn&#8217;t the crazy quilt structures or needlepoint precision of the playing. It&#8217;s the frenzied gibberish of Braxton&#8217;s pitch-shifted and electronically processed vocals&#8211; a kind of ecstatic robot that&#8217;s speaking in cartoon tongues. &#8230; It&#8217;s thrilling and disorienting because the virtuosity of both man and machine means that, unlike earlier rock/techno hybrids hampered by both technically unskilled players and crude technology, Battles sound is indivisible. Battles may not be the world&#8217;s first bionic rock group, but they&#8217;ve done more to extend the idea of a flesh-and-blood band enhanced by computer technology than anyone since the late, lamented Disco Inferno.&#8221;<br />
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Battles: <a href="http://www.bttls.com/">website</a> | <a href="http://www.last.fm/music/Battles">last.fm</a> | <a href="http://www.myspace.com/battlestheband">myspace</a> | <a href="http://www.bttls.com/">buy music</a></p>
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